Public Art Firebird

Public Art Firebird: Soaring Symbols and Community Identity

Have you ever paused to admire a striking piece of public art, a work that seems to breathe life into a city square or park? Imagine a majestic Firebird, a mythical creature of immense power and beauty, rendered in bronze, steel, mosaic, or vibrant paint, gracing your community. This isn't just decoration; it's a powerful statement, a symbol that shapes our perception of place, community, and ourselves. This article delves into the captivating world of public art featuring the Firebird motif, exploring its symbolism, artistic interpretations, and the impact it has on urban landscapes and cultural identity. We'll examine specific examples, delve into the creative processes behind them, and uncover the stories they tell. Prepare to be amazed by the soaring artistry and profound meaning behind public art Firebirds.

The Symbolism of the Firebird

The Firebird, a creature steeped in Slavic folklore, possesses a profound and multifaceted symbolism. Often depicted as a magnificent bird with fiery plumage, it represents rebirth, transformation, and the cyclical nature of life and death. Its ability to rise from ashes symbolizes resilience, hope, and the triumph of good over evil. In public art, this symbolism translates into powerful statements about community revitalization, overcoming adversity, and the enduring spirit of a people. The Firebird's fiery essence can also symbolize passion, creativity, and the vibrant energy of a thriving community. The specific artistic interpretation of the Firebird, however, can dramatically shift its meaning, adding layers of complexity and personal expression to its presence in public spaces.

Artistic Interpretations: A Spectrum of Styles

The artistic expression of the Firebird in public art knows no bounds. From realistic portrayals capturing the bird's majestic plumage and powerful form to abstract interpretations focusing on its fiery essence, the possibilities are endless. Some artists choose traditional materials like bronze or stone, creating sculptures that stand as timeless monuments. Others embrace modern and contemporary mediums, incorporating mixed media, vibrant colors, and innovative techniques to reflect a more dynamic and experimental approach. The Firebird’s representation can range from a sleek, minimalist design to an elaborate, intricately detailed work brimming with symbolic elements. The artist's personal style and the context of the artwork significantly contribute to its unique identity and overall message.

Public Art Firebirds: Examples Across the Globe

Numerous examples of public art featuring the Firebird exist worldwide, each with its own unique story. Consider a hypothetical example: a towering Firebird sculpture crafted from recycled materials in a post-industrial city. This piece not only celebrates the mythical creature's resilience but also speaks to the community's own regeneration and commitment to environmental sustainability. In contrast, a smaller, more intimate mosaic Firebird embedded in a community center’s façade might represent the warmth and connection within the neighborhood. Locating and analyzing specific examples, including their location, materials, and artistic style, allows us to understand how the Firebird’s symbolism adapts to different cultural and urban contexts.

The Impact on Urban Landscapes and Community Identity

Public art, especially iconic pieces like Firebird sculptures, significantly shapes the character of a city or town. It acts as a focal point, drawing people together and fostering a sense of shared identity. A striking Firebird sculpture can revitalize a neglected area, turning it into a vibrant hub for community activity. It can become a symbol of local pride, attracting tourists and sparking conversations about art, culture, and history. The artwork’s accessibility and public nature ensures its message reaches a broad audience, transcending language barriers and cultural divides. The enduring legacy of public art is to leave an indelible mark, shaping not only the physical landscape but also the collective memory and identity of a community.

Engaging with Public Art Firebirds: A Call to Action

Discovering and interacting with public art Firebirds is an enriching experience. Visiting these artworks, taking photos, and sharing your experiences online can help raise awareness and appreciation for public art in your community. Participating in community events and discussions surrounding the artworks strengthens the bond between art and the people it serves. Even simple acts like pausing to observe a sculpture, reflecting on its symbolism, and sharing your insights with others can deepen your connection to your community and enhance your understanding of public art's role in shaping our world.

Ebook Outline: "The Firebird Takes Flight: Public Art and Community Identity"

I. Introduction: Hook, overview of the Firebird's symbolism and artistic representations in public art.

II. Chapter 1: The Mythology and Symbolism of the Firebird: Deep dive into Slavic folklore, interpretations of the Firebird's symbolism (rebirth, transformation, resilience).

III. Chapter 2: Artistic Expressions of the Firebird: Exploration of different artistic styles and mediums used in Firebird public art (sculpture, mosaic, painting, etc.), examples of diverse artistic approaches.

IV. Chapter 3: Case Studies of Public Art Firebirds: Detailed analyses of specific examples across various locations and cultural contexts, highlighting artistic choices and community impact.

V. Chapter 4: The Impact of Public Art on Urban Landscapes and Community Building: Examination of how public art (specifically Firebird installations) revitalizes spaces and strengthens community identity.

VI. Conclusion: Summary of key findings, reflections on the enduring power of public art, and a call to action for engagement.

Chapter Breakdown:

Chapter 1: The Mythology and Symbolism of the Firebird: This chapter would trace the Firebird’s origins in Slavic mythology, exploring various interpretations of its symbolic meaning across different cultures and time periods. It would discuss its associations with fire, rebirth, immortality, and the cyclical nature of life and death. The chapter will also analyze how these symbolic meanings translate into different artistic representations.

Chapter 2: Artistic Expressions of the Firebird: This chapter would showcase the vast range of artistic styles and mediums used to depict the Firebird in public art. It would feature examples of realistic sculptures, abstract installations, paintings, mosaics, and other mixed-media works. The chapter would highlight how the choice of materials and artistic style influences the interpretation and impact of the artwork.

Chapter 3: Case Studies of Public Art Firebirds: This chapter would provide detailed analyses of specific public art Firebird installations across diverse geographic locations. Each case study would examine the artwork’s design, materials, symbolism, context within its environment, and its role in the surrounding community. Photographs and detailed descriptions would accompany each case study.

Chapter 4: The Impact of Public Art on Urban Landscapes and Community Building: This chapter would delve into the sociological and psychological effects of public art on urban spaces and their communities. It would explore how public art, and specifically Firebird installations, can revitalize neglected areas, foster a sense of community identity, and promote social cohesion. The chapter would discuss the importance of public art in enhancing civic pride and attracting tourism.

FAQs

1. What is the significance of the Firebird in Slavic folklore? The Firebird in Slavic mythology represents rebirth, transformation, immortality, and the cyclical nature of life and death. It embodies resilience and the triumph of good over evil.

2. What are some common artistic mediums used to depict Firebirds in public art? Common mediums include bronze sculptures, mosaics, painted murals, steel installations, and mixed-media works.

3. How does the location of a Firebird public art piece affect its interpretation? The location influences the artwork’s meaning and impact. A Firebird in a park might symbolize renewal, while one in a city center could represent progress and ambition.

4. What is the role of public art in community building? Public art fosters a sense of shared identity, strengthens community bonds, revitalizes urban spaces, and promotes social interaction.

5. How can I get involved in supporting public art initiatives in my community? You can attend community events, volunteer at local art organizations, donate to public art projects, or participate in discussions about public art policies.

6. Are there any famous examples of Firebird public art worldwide? While specific named examples are hypothetical for this article, researching “Firebird public art” online will reveal many real-world examples.

7. What makes a Firebird public art piece successful? A successful piece is visually compelling, resonates with the community, is well-maintained, and contributes positively to the surrounding environment.

8. How does the symbolism of the Firebird evolve in contemporary interpretations? Modern artists often reinterpret the Firebird’s symbolism, drawing connections to themes like environmentalism, technological progress, or social justice.

9. Where can I find more information about Firebird mythology and its artistic representations? You can research scholarly articles on Slavic mythology and explore online databases of public art, such as museum websites and city art commissions.

1. The Power of Myth in Public Art: Explores the use of mythological figures and symbols in public art, and their impact on viewers.
2. Public Art and Urban Regeneration: Discusses the role of public art in revitalizing neglected urban areas and improving quality of life.
3. Slavic Mythology and its Influence on Art: A broader look at the influence of Slavic folklore and mythology on various art forms.
4. Understanding Symbolism in Modern Art: Explores the evolving use of symbols and their meaning in contemporary artistic expression.
5. Community Engagement in Public Art Projects: Highlights the importance of involving local communities in the creation and maintenance of public art.
6. Materials and Techniques in Public Sculpture: Examines the different materials and techniques used to create durable and impactful public sculptures.
7. Public Art as a Catalyst for Social Change: Discusses how public art can spark dialogues, raise awareness, and promote social justice issues.
8. The Economics of Public Art: Explores the funding, commissioning, and maintenance aspects of public art projects.
9. The Role of Public Art in Tourism: Discusses the potential of public art to attract visitors and boost local economies.

public art firebird: The Firebird and the Fox Jeffrey Brooks, 2019-10-24 A century of Russian artistic genius, including literature, art, music and dance, within the dynamic cultural ecosystem that shaped it.
public art firebird: Firebird Misty Copeland, 2014-09-04 In her debut picture book, Misty Copeland tells the story of a young girl--an every girl--whose confidence is fragile and who is questioning her own ability to reach the heights that Misty has reached. Misty encourages this young girl's faith in herself and shows her exactly how, through hard work and dedication, she too can become Firebird. Lyrical and affecting text paired with bold, striking illustrations that are some of Caldecott Honoree Christopher Myers's best work, makes Firebird perfect for aspiring ballerinas everywhere.
public art firebird: Twisted Tour Guide: Central North Carolina Marques Vickers, 2024-05-07 Evade the Tourist Herds and Enter Into An Insider’s Central North Carolina. Known and unknown history, hidden delights and fascinating stories pervade the history of the Triad Region. This kaleidoscope of discovery, personalities, egos, scandals, conflict framed by sheer beauty creates a vivid tapestry defining over three centuries. This guide transports you geographically and photographically to the precise famous and infamous locations where history occurred. The scenes may sometimes appear ordinary, weird, but often illuminate the physical background and descriptions behind events. Many of the narratives defy believability, yet they are true. This Twisted Tour Guide is your alternative to conventional travel. It accommodates the restless visitor, tourist and resident seeking a unique and different perspective to traditional tourism. CHARLOTTE METRO Angels in America Production, Battle of Charlotte, Billy Graham, Christenbury Eye Center, Mecklenburg’s Declaration of Independence, Haunted Fire Station #4, Homeless Jesus Sculpture, James K. Polk, Jerry Richardson, Death By Elephant Squeeze, Murders of Kim Medlin and Reesa Trexler, Old Man Traffic, Stephen Curry, Jim Bakker, Praise The Lord Network, Queen Charlotte of Mecklenburg, NFL Player Rae Carruth, Morris The Moose, Colonel Sanchez, Bob Walton’s Briefcase, Ri Ra Irish Pub, Metalmorphosis, Stonewall Jackson Youth Development Center, Reed Gold Discovery, Lake Norman, Taco Bell Serial Killer, Helper Hotel, St. Peter’s Church, Liberty Hall, Queens University Hauntings, Dunhill Hotel, Carolina Theatre, Duke Mansion, Jefferson Davis, George Washington, Johnson Building, Streetcar Barn Depot, Myers Park United Methodist Church, Copeland House, Founders Hall, Bank of America Complex, Confederate Monument and Tryon Road GREENSBORO/BURLINGTON/WINSTON-SALEM Andy Griffith’s Mt. Airy, Biltmore Hotel, Daniel Boone’s Cave, Burlington Sculptures, Cane Creek Quaker Colony, Carolina Theatre, Grant’s Park Quarry, Greensboro Massacre, Lawson Family, Elizabeth Grant and Tiffany Long’s Murders, Lydia’s Bridge, Mr. Barbecue, Mickey Coffee Pot, Scallop Shell Station, 1969 Burlington Race Riots, Woolworth Lunch Counter, Magnolia House, Battle of Alamance, Carolina Mills Fire, Jefferson Standard Light Building, Bitter Blood Murders, Maya Angelou, Poisoner Blanche Kiser Moore, O. Henry, Serial Killer John Richardson, Reynolda House, Korner’s Folly, Ardmore Scandal, Hanging Rock Park Lodge, High Point Museum, Plank Roads, Qubein Children’s Museum and Old Salem DURHAM/CHAPEL HILL Norfolk Southern Railroad Bridge, Dean Smith Mural, Durham’s Two Bulls, Murders of Faith Hedgepeth, James Cates, Michael Crosby, Zijie Yan and Kathleen Peterson, Rampage Killer Craig Stephen Hicks, Gene Dillard’s Mosaic House, Gimghoul Castle, Occoneechee Race Track, UNC Athletic Academic Scandal, Duke Bell Tower Phantom, Eno River Park, Duke Lacrosse Scandal, Confederate Army Surrender, UNC Speaker Bans, Durham Hotel, Morehead Planetarium, He’s Not Here Bar and King Tobacco RALEIGH METRO President Andrew Johnson, Bain Water Treatment Plant, Historic Red Light District, Carbonton Dam, Daily Globe Natural Sciences Museum Sculpture, Free Expression Tunnel, Giant Acorn Sculpture, Joel Lane, John Edwards, Swift Kick Machine, Murders of Ludlow Skinner, Elbert Smith and Beth Ellen Vinson, Mordecai House, Horse and Mule Cemetery, Pete Maravich, Panhandling Gorilla, Historic Red Light District, Spinning Angel of Oakwood, Burying Whale Corpses, Whirligigs, William Umstead State Park, Mysterious Lee Harvey Oswald Call, Isaac Hunter’s Cherry Bounce, Goodnight Museum Park, Page-Walker Hotel, Roaring 20s Speakeasies, Biggie Smalls, Third Governor Mansion, Holy Name of Jesus Cathedral and Yates Mill
public art firebird: A Comprehensive Guide to Outdoor Sculpture in Texas Carol Morris Little, 1996-01-01 Traces the history of outdoor sculpture in Texas, and features brief descriptions of over eight hundred works, each with the artist's name, birth date, and nationality, the sculpture's date, type, size, material, location, and source of funding, and comments. Grouped by city.
public art firebird: Outdoor Sculpture in Baltimore Cindy Kelly, 2011-06-10 Tells the stories behind Baltimore's monuments. From the twentieth-century sculpture of the Inner Harbor's Baltimore Renaissance to the nineteenth-century splendor of Mount Vernon Place, this work invites us to see Baltimore in a fresh perspective.
public art firebird: Bloomsbury Curriculum Basics: Teaching Primary Art and Design Emily Gopaul, 2017-10-19 The Bloomsbury Curriculum Basics series provides non-specialist primary school teachers with subject knowledge and full teaching programmes in a variety of key primary curriculum subjects. _______________ Art lessons offer children a new way to explore the world around them, and is another means by which they can express their ideas and process their thoughts. Bloomsbury Curriculum Basics: Teaching Primary Art and Design extends the National Curriculum requirements for art and design and provides a framework for teaching the five main skills for making art: drawing, painting, collage, printing and sculpture. Through carefully planned lesson frameworks and additional online resources, pupils can explore ideas and express their skills visually and verbally using subject-specific vocabulary. From resourcing and planning to teaching lessons, this all-in-one guide includes a full-colour plate section of famous artworks and cross-curricular reference links. It is ideal for you and your class to embrace the world of art and design.
public art firebird: Secret Charlotte: A Guide to the Weird, Wonderful, and Obscure Sarah Crosland, 2017-03-15 Where in Charlotte can you… - get up-close with the “Miracle on the Hudson” plane? - indulge in conspiracy theories about occult symbols in public murals? - see a giant head sculpture by a notorious Czech artist? - eat something called burgushi? - hear a parking garage that sings? - watch a giant dragon blow smoke? - visit the grave of cojoined twin sisters who were the inspiration for a Broadway musical? Whether you’re riding at top speeds around the 24-degree bank of a NASCAR track turn, exploring the history of Charlotte’s gold rush and the 17-pound nugget that started it all, or eating ice cream at a Dairy Queen that’s a designated historic site, it’s impossible to be bored in the Queen City with a copy of Secret Charlotte: A Guide to the Weird, Wonderful, and Obscure. From delightful surprises to hair-raising theories, in these pages you’ll find answers to the questions around town you didn’t even know you had. Filled with fascinating—and often bizarre—stories about the locales that define Charlotte’s culture and history, this is the city’s ultimate scavenger hunt.
public art firebird: The Firebird and the Factory Kelly Miller, Margarita Nafpaktitis, Sasha Lurye, 2007
public art firebird: Art at Lincoln Center Charles A. Riley, II, Lincoln Center for the Performing Arts, 2009-05-11 The first volume to showcase both Lincoln Center's fabulous public art and the List Poster and Print collection, Art at Lincoln Center begins with a tour of the campus and the art that has been collected since its inception. A brief history of how the pieces were selected and brought to Lincoln Center follows (featuring Frank Stanton, David Rockefeller, and Philip Johnson who were the leading figures in building the collection) with charming anecdotes about the artists and the politics behind the selections of the artists and their works. The story of the creation of the List collection, with a focus on Vera List's formidable role, close the text portion of the book. The last portion is a complete catalog of the List print and poster collection.
public art firebird: The Firebird's Feather Marjorie Eccles, 2014-12-01 A sheltered young woman postpones her entry into Edwardian society to solve the untimely demise of her mother. London, May, 1911. The new king, George V, is preparing for his coronation. The suffragettes are campaigning for women to get the vote. The East End seethes with unrest. And eighteen-year-old Kitty Challoner is looking forward to ‘coming out’ in London society. But Kitty’s secure, sheltered world is about to be torn apart. Lydia Challoner is shot dead while out riding in Hyde Park, and during the ensuing murder investigation Kitty discovers that there was so much she didn’t know about her mother. Was Lydia really the killer’s intended target? Is there a link to her Russian heritage? Why had she been behaving so strangely in recent weeks? Was she having an affair? As Kitty determines to uncover the truth and wonders exactly whom she can trust, she learns that the household in which she lives harbors a number of dangerous secrets. “Solid writing, an engaging heroine, authentic period ambience, and some unexpected twists make this an entertaining and satisfying read for all historical-mystery buffs.” ―Booklist “Well-drawn characters, inventive plotting, and a touch of romance distinguish this lively historical.” ―Publishers Weekly “Eccles once again combines history and romance with a clever mystery filled with a wide array of suspects.” ―Kirkus Reviews
public art firebird: Federal Highway Administration Finding of No Significant Impact for the Proposed Dairy Mart Road and Bridge Improvement in San Diego County , 1997
public art firebird: How to Think Like a Knowledge Worker William Patterson Sheridan, 2008
public art firebird: Bunheads Misty Copeland, 2020-09-29 Instant New York Times bestselling series opener inspired by prima ballerina and author Misty Copeland's own early experiences in ballet. From prima ballerina and New York Times bestselling author Misty Copeland comes the story of a young Misty, who discovers her love of dance through the ballet Coppélia--a story about a toymaker who devises a villainous plan to bring a doll to life. Misty is so captivated by the tale and its heroine, Swanilda, she decides to audition for the role. But she's never danced ballet before; in fact, this is the very first day of her very first dance class! Though Misty is excited, she's also nervous. But as she learns from her fellow bunheads, she makes wonderful friends who encourage her to do her very best. Misty's nerves quickly fall away, and with a little teamwork, the bunheads put on a show to remember. Featuring the stunning artwork of newcomer Setor Fiadzigbey, Bunheads is an inspiring tale for anyone looking for the courage to try something new.
public art firebird: Of Firebirds & Moonmen Norman J. James, 2007-05-22 This is a designer’s story from the Golden Age, of Firebirds and Moonmen. It is the author’s story of how, through chance and circumstance, he was to live a 13-1/2 year odyssey, working with the most talented people in General Motors, on two of the most exciting projects that anyone could ever dream of. At GM Styling, under Harley Earl, to become responsible for the design of the Firebird III, the gas turbine experimental car that, half a century later, can arguably be considered the arch-typical representation for the concept car. Then, to follow that, to become involved in the earliest serious development of manned and unmanned vehicles for lunar exploration, and for hardware that rests on the moon today. The story is told in three parts. First is the early period, where hardships and family bonds temper and condition a polio survivor to abandon his high school preparation, to become a mechanical engineer, and to accept a college scholarship to study Industrial Design, an art curriculum, at Pratt Institute in Brooklyn, New York. This period continues, almost as a condensed course, on the fundamentals of design. Key elements evolve around the teachings of mentors Alexander Kostellow and Rowena Reed. In the second phase, the author is in Detroit and the methods and politics of General Motors Styling, during the height of the Motoramas, are detailed. The design of the Firebird III is the heart of the book and is its reason for existing. As the last surviving member of the four principals in its design (Harley Earl, Bob McLean and Stefan Habsburg being the others), the author feels obligated to assure that the story behind those closed studio doors is told. The story progresses from the Firebird III’s inception, as a Harley Earl vision, through its design and build phase then to its Motorama film production, for presentation in the main ballroom of the Waldorf Astoria. In the third phase, the author makes a career change, transferring to an aerospace organizational structure and accepting his role as a team player, responsible for carrying out his skills in the support of team objectives. Industrial design, conceptual and drawing skills are applied in the Mechanisms Group for the formulation of mechanical systems on manned and unmanned lunar exploration vehicles. The excitement of realizing that the group was “in on the ground-floor” of lunar exploration is only tempered now by a déjà vu feeling: of realizing that NASA is once again at that same point in time, planning for a return to the moon in 2024. During this period, the author served under Sam Romano, who would later become the head the Lunar Roving Vehicle (LRV) program, with Dr. Greg Bekker as the Chief Scientist and Ferenc Pavlics as the mobility expert. These people, and others, are the Moonmen. Of Firebirds & Moonmen is heavily documented with photographs, illustrations and graphics, which were prepared at General Motors as proposal and contract deliverables. They are supplemented with personal photographs and other graphics collected or prepared specifically for the book. All illustrations, corporate and personal, are by the author. ****** The book is a fun read, and many amateurs old enough to remember the early days of spaceflight will relate to the path James followed as a telescope maker and amateur astronomer -Dennis di Cicco- SkyandTelescope.com ****** Excerpts from the book are included in GM’s online living history – Generations of GM Wiki, in celebration of their centennial anniversary in 2008. The author’s contribution is on the Firebird III, its inception as defined by Harley Earl and its first flight, in filming for the 1959 Motorama in Mesa, Arizona.
public art firebird: Moving Sites Victoria Hunter, 2015-03-27 Moving Sites explores site-specific dance practice through a combination of analytical essays and practitioner accounts of their working processes. In offering this joint effort of theory and practice, it aims to provide dance academics, students and practitioners with a series of discussions that shed light both on approaches to making this type of dance practice, and evaluating and reflecting on it. The edited volume combines critical thinking from a range of perspectives including commentary and observation from the fields of dance studies, human geography and spatial theory in order to present interdisciplinary discourse and a range of critical and practice-led lenses through which this type of work can be considered and explored. In so doing, this book addresses the following questions: · How do choreographers make site-specific dance performance? · What occurs when a moving body engages with site, place and environment? · How might we interpret, analyse and evaluate this type of dance practice through a range of theoretical lenses? · How can this type of practice inform wider discussions of embodiment, site, space, place and environment? This innovative and exciting book seeks to move beyond description and discussion of site-specific dance as a spectacle or novelty and considers site-dance as a valid and vital form of contemporary dance practice that explores, reflects, disrupts, contests and develops understandings and practices of inhabiting and engaging with a range of sites and environments. Dr Victoria Hunter is Senior Lecturer in Dance at the University of Chichester.
public art firebird: Jay Pather, Performance, and Spatial Politics in South Africa Ketu H. Katrak, 2021-03-02 Jay Pather, Performance and Spatial Politics in South Africa offers the first full-length monograph on the award-winning choreographer, theater director, curator, and creative artist in contemporary global performance. Working within the contexts of African studies, dance, theater, and performance, Ketu H. Katrak explores the extent of Pather's productive career but also places him and his work in the South African and global arts scene, where he is considered a visionary. Pather, a South African of Indian heritage, is known as a master of space, site, and location. Katrak examines how Pather's performance practices place him in the center of global trends that are interdisciplinary, multidisciplinary, collaborative, and multimedia and that cross borders between dance, theater, visual art, and technology. Jay Pather, Performance and Spatial Politics in South Africa offers a vision of an artist who is strategically aware of the spatiality of human life, who understands the human body as the nation's collective history, and who is a symbol of hope and resilience after the trauma of violent segregation.
public art firebird: The Firebird Susanna Kearsley, 2023-10-12 From the New York Times bestselling author of The Winter Sea and The Vanished Days When a woman brings a small wooden carving into the art dealership, claiming it once belonged to a Russian Empress, Nicola Marter’s boss believes it is worthless. But Nicola has an unwanted, if rare, psychic gift. Holding 'The Firebird' in her hands, she knows this woman is telling the truth. Compelled to uncover its true history, Nicola must put her own past behind her. She contacts an old flame who can access the past in a way no one else can. Together they can find the real story of 'The Firebird'… Following history from Scotland, to Belgium and to St Petersburg, The Firebird is a sweeping story of love, sacrifice, courage and redemption. A journey that spans centuries and lifetimes to connect the past with the future. Praise for Susanna Kearsley ‘Sometimes an author catches lightning in a bottle, and Susanna Kearsley has done just that’ New York Journal of Books ‘A deeply engaging romance and a compelling historical novel’ Bernard Cornwell, author of The Last Kingdom ‘Kearsley is nothing less than a magician weaving together the past and the present in yet another marvellous, genre-bending, romantic, mysterious and utterly unputdownable novel’ M J Rose, author of Seduction ‘Will stay with you long after you put it down. Her deft touch with historical intrigue is matched only by her delivery of a contemporary heroine who is as unique as she is memorable’ Deanna Raybourn, author of The Dark Enquiry ‘Fascinating, immersive and twisty – twists not only of plot, but of character and time’ Diana Gabaldon, author of the Outlander series
public art firebird: Literature, Modernism, and Dance Susan Jones, 2013-08 Literature, Modernism, and Dance explores the complex reciprocal relationship between literature and dance in the modernist period
public art firebird: Firebird Misty Copeland, 2014-09-04 In her debut picture book, Misty Copeland tells the story of a young girl--an every girl--whose confidence is fragile and who is questioning her own ability to reach the heights that Misty has reached. Misty encourages this young girl's faith in herself and shows her exactly how, through hard work and dedication, she too can become Firebird. Lyrical and affecting text paired with bold, striking illustrations that are some of Caldecott Honoree Christopher Myers's best work, makes Firebird perfect for aspiring ballerinas everywhere.
public art firebird: The Firebird Saikat Majumdar, 2015-06-25 For ten-year-old Ori, his mother’s life as a theatre actor holds as much fascination as it does fear. Approaching adolescence in an unstable home, he is haunted by her nightly stage appearances, and the suspicion and resentment her profession evokes in people around her, at home and among their neighbours. Increasingly consumed by an obsessive hatred of the stage, Ori is irrevocably drawn into a pattern of behaviour that can only have catastrophic consequences. Political bullies, actor, hairdressers, set boys and backstage crew make up the world of The Firebird, a visceral exploration of a young boy stumbling into adulthood, far ahead of his years.
public art firebird: When Ballet Became French Ilyana Karthas, 2015-09 A comprehensive picture of early twentieth-century French culture through the lens of ballet discourse.
public art firebird: Art of the State Liza Roberts, 2022-09-29 This beautiful and informative volume illustrates the vitality and importance of North Carolina's contemporary art scene, showcasing the creation, collection, and celebration of art in all its richness and diversity. Featuring profiles of individual artists, compelling interviews, and beautiful full-color photography, this book tells the story of the state's evolution through the lens of its art world and some of its most compelling figures. Liza Roberts introduces readers to painters, photographers, sculptors, and other artists who live and work in North Carolina and who contribute to its growing reputation in the visual arts. Roberts also provides fascinating historical context, such as the influence of Black Mountain College, the birth and growth of Penland School of Crafts, and short histories of North Carolina's art museums, including Charlotte's Mint Museum, Raleigh's North Carolina Museum of Art, Winston-Salem's Reynolda House, and those flourishing at universities. Artists featured include Stephen Hayes, Mel Chin, Cristina Cordova, Beverly McIver, and Scott Avett. The result is the most comprehensive, informative, and visually rich story of contemporary art in North Carolina.
public art firebird: 101 Stories of the Great Ballets George Balanchine, Francis Mason, 1975-05-20 Authored by one of the ballet's most respected experts, this volume includes scene-by-scene retellings of the most popular classic and contemporary ballets, as performed by the world's leading dance companies. Certain to delight long-time fans as well as those just discovering the beauty and drama of ballet.
public art firebird: The Dancer and the Devil John E. O'Neill, Sarah C. Wynne, 2022-04-26 Communism must kill what it cannot control. So for a century, it has killed artists, writers, musicians, and even dancers. It kills them secretly, using bioweapons and poison to escape accountability. Among its victims was Anna Pavlova, history’s greatest dancer, who was said to have God-given wings and feet that never touched the ground. But she defied Stalin, and for that she had to die. Her sudden death in Paris in 1931 was a mystery until now. The Dancer and the Devil traces Marxism’s century-long fascination with bioweapons, from the Soviets’ leak of pneumonic plague in 1939 that nearly killed Stalin to leaks of anthrax at Kiev in 1972 and Yekaterinburg in 1979; from the leak of a flu in northeast China in 1977 that killed millions to the catastrophic COVID-19 leak from biolabs in Wuhan, China. Marxism’s dark past must not be a parent to the world’s dark future. COMMUNIST CHINA PLAYED WITH FIRE AND THE WORLD IS BURNING Nearly ten million people have died so far from the mysterious Covid-19 virus. These dead follow a long line of thousands of other brave souls stretching back nearly a century who also suffered mysterious “natural” deaths, including dancers, writers, saints and heroes. These honored dead should not be forgotten by amnesiac government trying to avoid inconvenient truth. The dead and those who remember and loved them deserve answers to two great questions. How? Why? The Dancer and the Devil answers these questions. It tracks a century of Soviet and then Chinese Communist poisons and bioweapons through their development and intentional use on talented artists and heroes like Anna Pavlova, Maxim Gorky, Raoul Wallenberg and Alexis Navalny. It then tracks leaks of bioweapons beginning in Saratov, Russia in 1939 and Soviet Yekaterinburg in 1979 through Chinese leaks concluding in the recent concealed leak of the manufactured bioweapon Covid-19 from the military lab in Wuhan, China. Stalin, Putin, and Xi, perpetrators of these vast crimes against humanity itself, should not be allowed to escape responsibility. This book assembles the facts on these cowardly murderers, calling them to account for their heartless crimes against man concluding in Covid-19.
public art firebird: Performing Arts , 1969-02
public art firebird: Ashenfolk Joseph Mosconi, 2019-04-15 Subject matter: chiropteric burglary, miscast spells, sentient AI, elvish folklore, heavy metal, counter-hippie cybernetics. A comment on genre and latent form as a type of minimalist poetry.
public art firebird: Balanchine and the Lost Muse Elizabeth Kendall, 2013-08-29 Balanchine and the Lost Muse is a dual biography of the early lives of two key figures in Russian ballet, in the crucial time surrounding the Russian revolution: famed choreographer George Balanchine and his close childhood friend, ballerina Liidia Ivanova.
public art firebird: Annual Report National Endowment for the Arts, 1988 Reports for 1980-19 also include the Annual report of the National Council on the Arts.
public art firebird: When Art Makes News Katia Dianina, 2012-11-15 From the time the word kul'tura entered the Russian language in the early nineteenth century, Russian arts and letters have thrived on controversy. At any given time several versions of culture have coexisted in the Russian public sphere. The question of what makes something or someone distinctly Russian was at the core of cultural debates in nineteenth-century Russia and continues to preoccupy Russian society to the present day. When Art Makes News examines the development of a public discourse on national self-representation in nineteenth-century Russia, as it was styled by the visual arts and popular journalism. Katia Dianina tells the story of the missing link between high art and public culture, revealing that art became the talk of the nation in the second half of the nineteenth century in the pages of mass-circulation press. At the heart of Dianina's study is a paradox: how did culture become the national idea in a country where few were educated enough to appreciate it? Dianina questions the traditional assumptions that culture in tsarist Russia was built primarily from the top down and classical literature alone was responsible for imagining the national community. When Art Makes News will appeal to all those interested in Russian culture, as well as scholars and students in museum and exhibition studies.
public art firebird: Nazi Propaganda Through Art and Architecture Norman Ridley, 2024-07-30 When the Nazis came to power in January 1933, they began a program of transforming Germany from a democracy into a totalitarian state, but it was not a matter of simply enforcing compliance. The people had to be coaxed into believing in the new regime. Hearts and minds had to be won over and one of the ways the Nazis did that was to create an ideal of German nationhood in which everyone could feel proud. This was especially the case with art, which came to be used as a powerful tool of propaganda both to disseminate the myth amongst the population and indicate to the Nazi administrators the sort of cultural environment they should create. It was not an easy thing to do. While the nation was being re-created as a dynamic, modern, and powerful industrial giant, all the signals coming from Hitler indicated that his own idyllic view of the German nation was of a traditional, rural people deep-rooted in a romantic-mystical aesthetic. Hitler’s own experience as an artist in Vienna before the First World War had shown that, while technically proficient, his work was detached and impersonal. Despite being rejected by the Vienna Academy of Fine Arts he continued to see himself as artistically gifted, especially in the field of architecture. This book looks at how the artistic side of Hitler’s personality dominated Nazi aesthetics and the ways in which the Third Reich manipulated public opinion and advanced its political agenda using the power of art. Despite his early setbacks, Hitler always thought of himself first and foremost an artist. He would frequently break off discussions with diplomats and soldiers to veer off on a lecture about his ideas on art and architecture which had been formed during his time in Vienna. Nazi Propaganda Through Art and Architecture explores how Hitler’s artistic and architectural vision for Germany led to the monumental structures which we now associate with the Third Reich, alongside the rural idyl he sought to espouse, and how they came to symbolise the re-emergent power of a German nation which would dominate Europe.
public art firebird: ARTnews , 1982-06
public art firebird: e-Pedia: Game of Thrones (season 6) Wikipedia Contributors, 2017-02-22 This carefully crafted ebook is formatted for your eReader with a functional and detailed table of contents. The sixth season of the fantasy drama television series Game of Thrones premiered on HBO on April 24, 2016, and concluded on June 26, 2016. It consists of ten episodes, each of approximately 50–60 minutes, largely of original content not found in George R. R. Martin's A Song of Ice and Fire series. Some material is adapted from the upcoming sixth novel The Winds of Winter and the fourth and fifth novels, A Feast for Crows and A Dance with Dragons. The series was adapted for television by David Benioff and D. B. Weiss. HBO ordered the season on April 8, 2014, together with the fifth season, which began filming in July 2015 primarily in Northern Ireland, Spain, Croatia, Iceland and Canada. Each episode cost over $10 million. This book has been derived from Wikipedia: it contains the entire text of the title Wikipedia article + the entire text of all the 593 related (linked) Wikipedia articles to the title article. This book does not contain illustrations. e-Pedia (an imprint of e-artnow) charges for the convenience service of formatting these e-books for your eReader. We donate a part of our net income after taxes to the Wikimedia Foundation from the sales of all books based on Wikipedia content.
public art firebird: Journalists, Sources, and Credibility Bob Franklin, Matt Carlson, 2010-12-14 This volume revisits what we know about the relationship between journalists and their sources. By asking new questions, employing novel methodologies, and confronting sweeping changes to journalism and media, the contributors reinvigorate the conversation about who gets to speak through the news. It challenges established thinking about how journalists use sources, how sources influence journalists, and how these patterns relate to the power to represent the world to news audiences. Useful to both newcomers and scholars familiar with the topic, the chapters bring together leading journalism scholars from across the globe. Through a variety of methods, including surveys, interviews, content analysis, case studies and newsroom observations, the chapters shed light on attitudes and practices in the United States, United Kingdom, Germany, Australia, Sweden, Belgium and Israel. Special attention is paid to the changing context of newswork. Shrinking newsgathering resources coupled with a growth in public relations activities have altered the source-journalist dynamic in recent years. At the same time, the rise of networked digital technologies has altered the barriers between journalists and news consumers, leading to unique forms of news with different approaches to sourcing. As the media world continues to change, this volume offers a timely reevaluation of news sources.
public art firebird: Medicine, Education, and the Arts in Contemporary Native America Clifford E. Trafzer, Donna L. Akers, Amanda K. Wixon, 2022-02-25 This book offers twenty original scholarly chapters featuring historical and biographical analyses of Native American women. The lives of women found her contributed significantly to their people and people everywhere. The book presents Native women of action and accomplishments in many areas of life. This work highlights women during the modern era of American history, countering past stereotypes of Native women. With the exceptions of Pocahontas and Sacajawea, historians have had little to say about American Indian women who have played key roles in the history of their tribes, their relationship with others, and the history of the United States. Indigenous women featured herein distinguished themselves as fiction and non-fiction writers, poets, potters, basket makers, musicians, and dancers. Other women contributed as notable educators and women working in health and medicine. They are representative of many women within the Native Universe who excelled in their lives to enrich the American experience.
public art firebird: New York Magazine , 1971-12-13 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
public art firebird: Lao Lao of Dragon Mountain Margaret Bateson-Hill, Sha-Liu Qu, 1998 A greedy emperor demands an impossible task from Lao Lao, a peasant woman who makes beautiful shapes from paper. Includes instructions for making traditional Chinese paper-cuts.
public art firebird: Dancing Women Sally Banes, 2013-11-05 Dancing Women: Female Bodies Onstage is a spectacular and timely contribution to dance history, recasting canonical dance since the early nineteenth century in terms of a feminist perspective. Setting the creation of specific dances in socio-political and cultural contexts, Sally Banes shows that choreographers have created representations of women that are shaped by - and that in part shape - society's continuing debates about sexuality and female identity. Broad in its scope and compelling in its argument Dancing Women: * provides a series of re-readings of the canon, from Romantic and Russian Imperial ballet to contemporary ballet and modern dance * investigates the gaps between plot and performance that create sexual and gendered meanings * examines how women's agency is created in dance through aspects of choreographic structure and style * analyzes a range of women's images - including brides, mistresses, mothers, sisters, witches, wraiths, enchanted princesses, peasants, revolutionaries, cowgirls, scientists, and athletes - as well as the creation of various women's communities on the dance stage * suggests approaches to issues of gender in postmodern dance Using an interpretive strategy different from that of other feminist dance historians, who have stressed either victimization or celebration of women, Banes finds a much more complex range of cultural representations of gender identities.
public art firebird: Edinburgh Companion to Virginia Woolf and the Arts Maggie Humm, 2010-04-20 The Edinburgh Companion to Virginia Woolf and the Arts is the most authoritative and up-to-date guide to Virginia Woolf's artistic influences and associations. In original, extensive and newly researched chapters by internationally recognised authors, the Companion explores Woolf's ideas about creativity and the nature of art in the context of the recent 'turn to the visual' in modernist studies with its focus on visual technologies and the significance of material production. The in-depth chapters place Woolf's work in relation to the most influential aesthetic theories and artistic practices, including Bloomsbury aesthetics, art and race, Vanessa Bell and painting, art galleries, theatre, music, dance, fashion, entertaining, garden and book design, broadcasting, film, and photography. No previous book concerned with Woolf and the arts has been so wide ranging or has paid such close attention to both public and domestic art forms.Illustrated with 16 olour as well as 39 black and white illustrations and with guides to further reading, the Companion will be an essential reference work for scholars, students and the general public.Key Features* An essential reference tool for all those working on or interested in Virginia Woolf, the arts, visual culture and modernist studies* Provides a new intellectual framework for the exciting discoveries of the past decades*Draws on archival and historical research into Virginia Woolf's manuscripts and her Bloomsbury milieu*Original chapters from expert contributors newly commissioned by Maggie Humm, widely known for her important work on Virginia Woolf and visual culture*Combines broad synthesis and original reflection setting Woolf's work in historical, cultural and artistic contexts
public art firebird: The Arts Council of England ... Annual Report Arts Council of England, 1995
public art firebird: Apollo's Angels Jennifer Homans, 2010-11-02 NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW, LOS ANGELES TIMES, SAN FRANCISCO CHRONICLE, AND PUBLISHERS WEEKLY For more than four hundred years, the art of ballet has stood at the center of Western civilization. Its traditions serve as a record of our past. Lavishly illustrated and beautifully told, Apollo’s Angels—the first cultural history of ballet ever written—is a groundbreaking work. From ballet’s origins in the Renaissance and the codification of its basic steps and positions under France’s Louis XIV (himself an avid dancer), the art form wound its way through the courts of Europe, from Paris and Milan to Vienna and St. Petersburg. In the twentieth century, émigré dancers taught their art to a generation in the United States and in Western Europe, setting off a new and radical transformation of dance. Jennifer Homans, a historian, critic, and former professional ballerina, wields a knowledge of dance born of dedicated practice. Her admiration and love for the ballet, as Entertainment Weekly notes, brings “a dancer’s grace and sure-footed agility to the page.”